Search a reservoir of Indian theses: Shodhganga, “a platform for research students to deposit their Ph.D. theses – Open access

e.g. search for “Shodhganga Carnatic music”, “Shodhganga veena”, “Shodhganga bamboo flute”, “Shodhganga Indian music education”, “Shodhganga music bani”, “Shodhganga percussion instrument” in the search field below: (function() { var cx = ‘013915946162963447659:xixt7rkiu4o’; var gcse = document.createElement(‘script’); gcse.type = ‘text/javascript’; gcse.async = true; gcse.src = ‘https://cse.google.com/cse.js?cx=’ + cx; var s = document.getElementsByTagName(‘script’)[0]; s.parentNode.insertBefore(gcse, s); })(); Track […]

Why Carnatic Music Matters More Than Ever

Sruti 35th anniversary issue (October 2018) >> by Ludwig Pesch For this musicologist and author, there are good reasons to believe that Carnatic music matters, perhaps more than ever and almost anywhere in the world. So why not perform and teach it in the service of better education for all, for ecological awareness or in […]

Tip | Online research library: Musicresearchlibrary.net

Merger of websites: The two sites www.musicresearch.in and www.musicresearchlibrary.net have now merged! We have closed www.musicresearch.in and moved its contents to www.musicresearchlibrary.net. In the ‘musicresearchlibrary.net’ site, a menu ‘musicresearch.in‘ has been created which will house some of the earlier contributions of senior scholars. Please like and follow our Facebook page https://www.facebook.com/Musicresearchlibraryadmin/ for latest news and updates. […]

“Sri Saraswathi Chakra”: Understanding the melodic concepts of Carnatic, Hindustani and Western with the help of an innovative 72 Melakarta wheel

Many Carnatic ragas have their counterparts in western Music […] L.S.Ramesh, a Post Graduate from the reputed Indian Institute of Technology-I.I.T.Madras, has designed an Innovative Carnatic Music chakra (Sri Saraswathi 72 Melakarta chakra). […] This chakra requires no prior knowledge and has been appreciated by Music legends Dr. Mangalampalli Balamuralikrishna,Prince Rama Varma, Shri. Garimella Balakrishna Prasad […]

The first Sabha of Madras

The Hindu, September 21, 2012 One of the earliest attempts to make the British appreciate Carnatic music was initiated by Gayan Samaj. STEEPED IN HISTORY:Pachaiyappa’s hall. Had the Madras Jubilee Gayan Samaj been around, it would have been 125 this year, though it began at least four years earlier under a different name. That certainly […]

Paper and Lecture Recital – 15th International Conference of the Gesellschaft für Musikforschung Goettingen

Music | Musics. Structures and Processes 15th International Conference of the Gesellschaft für Musikforschung Goettingen Paper and Lecture Recital by Ludwig Pesch & Manickam Yogeswaran Unity in diversity, antiquity in contemporary practice? A fresh look at South Indian music The music of South India or Carnatic music is an amalgam of regional traditions and practices and became increasingly codified in the […]

Paper and Lecture Recital at the International Congress of the Gesellschaft für Musikforschung

Music | Musics. Structures and Processes 15th International Conference of the Gesellschaft für Musikforschung Goettingen Title of the presentation by Manickam Yogeswaran & Ludwig Pesch: “Unity in diversity, antiquity in contemporary practice? A fresh look at South Indian music” Read more >>

AT HOME with Master Musicians of Madras by Amy Catlin-Jairazbhoy

Madras is one of the most musical cities in the world, where thousands of concerts of South Indian classical music every year. Most Madras musicians begin their training in the nurturing environment of the home. In this series, several top musicians are seen in family settings as they teach their children and students, discuss their […]