The story of zero: How ‘nothing’ changed the world Before it could be used, it had to be invented. “This invention of the zero and the way we write our numerals today is what is now the basis of all modern technology,” Princeton mathematics professor Manjul Bhargava told IDEAS. “We often take it for granted. But …
Continue reading “Audio | Numbers in Indian music and beyond (rasa): Zero & Nine– CBC Ideas”
Audio source: singing by the author | Find details for “78RPM – V V Sadagopan” on Archive.org >> https://blog.archive.org It is a curious irony that we, who claim to “hear” our music, ((Here the author probably alludes to a metaphorical interpretation of karnātaka sangītam (today’s “Carnatic music”), one not to be taken literally even if …
Continue reading ““Learning should be a source of joy” – V.V. Sadagopan on Music education”
At first, this question seems easy to answer: just watch performers from either strand of Indian music and you’ll know Which is Which, merely going by the instruments in use, or how they dress and watching the body language involved: harmonium or sarangi vs. violin for melodic accompaniment for most vocal recitals, and tabla drums …
Continue reading “What’s the difference between Hindustani and Carnatic music?”
If there is a single feature of Carnatic music to account for its mesmerizing effect on listeners it may well be a feature known as kalapramanam: practicing rhythm (laya) ((‘”The sense of rhythm gives us a feeling of freedom, luxury, and expanse. It gives us a feeling of achievement in molding or creating. It gives …
An exercise for raga Kuntalavarali (YouTube) >> The above exercise is inspired by eminent Carnatic flautist Sikkil Mala Chandrasekhar rendering Bhogindra Sayinam (Kuntalavarali, Khanda capu) by Svati Tirunal Excerpt © HMV Marga 1996 cassette recording South Indian conventions (raga names & svara notation): karnATik.com | Guide >> raagam: kuntalavarALiAa: S M1 P D2 N2 D2 S | Av: S N2 D2 …
