for students and lovers of Carnatic music
The Sabha itself was a product of colonial times. When the patronage of royalty and aristocracy was vital for the survival of the arts, a new city like Madras posed challenges – the ruling elite was English and had no intention to support artistes. The aristocracy, namely the dubashes or translators, provided the necessary support … Read more
Gaining prominence Despite the many alternatives available today, fortunately we still get to see the tambura player on stage. In fact, the first thing many musicians do after accepting a concert date is to book their preferred tambura player. As more musicians show a renewed interest in the instrument, the tambura is experiencing a resurgence. … Read more
How does a vainika internalize a raga1 before he or she presents it? The most concise definition of a raga may be that by Joep Bor: a tonal framework for composition and improvisation. [↩]
The period 1750-1850 was a golden era in world music, when some of the greatest musician-composers lived and enriched the field. In Europe, Beethoven, Mozart, Mendelssohn, Schumann and others lived during this period and created the symphony repertoire. It is a significant coincidence that the Carnatic Music trinity—Tyagaraja (1767-1847), Muthuswami Dikshitar (1776-1835) and Syama Sastry … Read more
Dr. K.Gayatri – Vocal,Vid. Vittal Rangan – Violin,Vid. R.Shankaranarayanan – Mridangam,Vid. H.Prasanna – Ghatam.Recording of Live Concert on 22.12.2022 Thursday 6.15pm Items in YouTube Comments by courtesy Swami Nathan >>(please check the above link for any updates) 1. Reethigowlai (after sloka) 00:02:302. Jaganmohini dayApayOnidhE mAm pAhi.. Composer: Mishu Krishna Aiyyar 00:10:113. Madhyamavathi naadupai balikeru thyagaraja … Read more