for students and lovers of Carnatic music
“Rasa is realised in from the combination of the sthāyibhāva (permanent and dominant emotional mood) with the vibhāva-s (the objects of emotions such as the hero and the heroine, and the exciting causes such as the spring, flowers, moonlight and the bower), anubhāva-s (the external manifestations of emotions such as the movement of the eye-brows, … Read more
Tiruvarur to Texas, Carnatic musicians have transcended global cultures, echoing the seven notes to the West. Trichy Sankaran,to be honoured with the Sangita Kalanidhi today, summarises Carnatic music’s history in America in a chat with critic Veejay Sai While everyone is aware of how Hindustani music became popular in the West, especially America, with maestros like … Read more
12 positions are available in the South Indian 72 mela system. To learn more, read the following explanations. Source © Ludwig Pesch | Creative Commons License >> A scale – mēla in Carnatic or thāt in Hindustani music – isn’t a raga yet: it is no more than an imaginary arrangement of notes for the … Read more
Wie kaum einem anderen deutsch-stämmigen Musiker ist es Ludwig Pesch gelungen, tief in das Wesen der südindischen “klassischen” Musik einzutauchen. Der Autor lebt heute in Amsterdam und ist als freischafender Musiker, Sachbuchautor und Dozent tätg. Seine Erfahrung befähigt ihn, die karnatsche Musiktraditon auch einem Laienpublikum verständlich nahe zu bringen. Der vollständige Artikel Was die südindische … Read more
Audio source: singing by the author | Find details for “78RPM – V V Sadagopan” on Archive.org >> It is a curious irony that we, who claim to “hear” our music,1 are less sensitive to tone quality than the Westerner who “sees” his music. Happy exceptions apart, musicians and listeners (especially of the South) are … Read more