Search a reservoir of Indian theses: Shodhganga, “a platform for research students to deposit their Ph.D. theses – Open access

e.g. search for “Shodhganga Carnatic music”, “Shodhganga veena”, “Shodhganga bamboo flute”, “Shodhganga Indian music education”, “Shodhganga music bani”, “Shodhganga percussion instrument” in the search field below:

Track missing details for search results

  • To trace the source document of any separate chapter listed among the search results hosted on Shodhganga’s server, look for its “handle” number: e.g. “138940” from the URL (in search for more publishing details): http://shodhganga.inflibnet.ac.in/handle/10603/138940
  • Copy-paste the second part of this “handle” number (e.g. 138940) into the How to Cite window in order to trace the document’s publishing data on the Shodhganga website http://shodhganga.inflibnet.ac.in.
  • e.g.  “handle” number 138940 refers to “The influence of Nagaswaram on Karnataka classical vocal music”, Researcher: Radhika Balakrishnan, Guide: Sreelatha, R. N., University of Mysore, Completed Date: 2016, University of College Fine Arts
  • Browse and download any chapter from the Shodhganga server.
  • For advanced search options directly consult the Shodhganga website: http://shodhganga.inflibnet.ac.in:8080/jspui/subject-search

Note: search results appear without much delay. More patience is needed for consulting the Shodhganga website (waiting time varies depending on the hour of the day).

On the tanpura / tambura – Martin Spaink

Martin Spaink (Amsterdam) earned a name for himself as a leading tanpura expert. Read more on the finer points of tanpura playing, stringing, tuning, maintenance, restoration and playing techniques. Read his article on fine-tuning of a tanpura >>

As performers-cum-teachers, we should practise with the traditional tambura and teach music with the same to the students.

Malladi Brothers quoted by Aruna Chandaraju in The Hindu >>
Learn more about the tambura (tanpura) >>

Tip | Online research library: Musicresearchlibrary.net

Merger of websites: The two sites www.musicresearch.in and www.musicresearchlibrary.net have now merged! We have closed www.musicresearch.in and moved its contents to www.musicresearchlibrary.net. In the ‘musicresearchlibrary.net’ site, a menu ‘musicresearch.in‘ has been created which will house some of the earlier contributions of senior scholars. Please like and follow our Facebook page https://www.facebook.com/Musicresearchlibraryadmin/ for latest news and updates.

More about the above persons and topics

Periodicals and sites included | More resources | Disclaimer >>

New online tool that will turn written konnakkol into audio

Courtesy: email by online tool-developer Arthur Carabott (UK), 18 March 2017
Generally the rules are:
– for any syllable there must be at least one consonant followed by at least one vowel
– Any brackets must match, so if you have three opening { you must have three closing }
Input and feedback very welcome!

“Useful chapter on voice training” – A History of Singing

Ludwig Pesch, The Illustrated Companion to South Indian Classical Music (New Delhi: Oxford University Press, 1999) is a lengthy introduction to Carnatic music, with a useful chapter on voice training.

John Potter and Neil Sorrell, A History of Singing. New York: Cambridge University Press, 2012. (Sources and references, p. 310)
isbn 9780521817059

Find a copy of the Oxford Illustrated Companion to South Indian Classical Music

  • on the publisher’s website: Oxford University Press
  • in a library near you via WorldCat.org
  • from one of several Indian distributors and online bookstores

Video | Weighty rendition by new generation of Karaikudi vina tradition

Kapila & Sushruta, sons and disciples of Sreevidhya Chandramouli, perform “Sarasiruhasana” (Nata raga, Adi tala); a kriti composed by Puliyur Doresvami.

Recorded on the occasion of Dhvani’s Carnatic Composers’ Day 2012

YouTube channels & more

The Small Theatre (Sittrarangam) – Ekagrata Publications

Download the epub-version for offline reading, printing or getting read out on the Archive.org website >>

Description

The Small Theatre (Tamil Sittrarangam) is a chamber auditorium specially designed for Indian performing arts. Based on rural architecture, it provides a congenial atmosphere for traditional performers of dance, music and folk arts, and their audience alike.

Introductory note jointly published by INTACH (The Indian National Trust for Art and Cultural Heritage) and the Government of Tamil Nadu

Beautifully and very imaginatively conceived. India needs theatres of this kind in every village.

Goverdhan Panchal, Emeritus Instructor of Scene Design at the National School of Drama and author of books and articles on traditional Indian theatre

Free ebook version for online browsing and downloading >>

A THEATRE FOR ALL
Sittrarangam – the small theatre Madras
by Ludwig Pesch
with a Foreword by Himanshu Burte

ISBN 90 75785 03 8
2nd revised edition

89 pages
3 colour plates (cover photograph, 2 digital graphic representations for the floor plan of the theatre on the back cover)
15 b/w plates
Size: 25,7 cm x 19 cm
Weight: 248 g
Price: 36 EUR

Contents
1 Introduction
2 A small theatre for Chennai
3 A theatre for all
4 Historical and social aspects of Indian performing arts
5 Access to the living arts
6 Sittrarangam and traditional Indian theatre architecture
7 Sittrarangam: model for a facility serving cultural tourism
8 About the plates and their context
Plate 1 Open-air stage (‘Tiger Cave’) near Mamallapuram
Plate 2 Kuttambalam stage (Irinjalakuda / Kerala)
Plate 3 Interior of Sittrarangam (Island Grounds / Chennai)
Plates 4, 5 and 6 Sittrarangam: phases of construction
Plate 7 A South Indian vocal recital by Mani Krishnaswamy
Plate 8 A leather shadow play by S. Seethalakshmi
Plates 9 and 10 Dance performances by Archita and Satyajit
Plate 11 Living theatre: Terukkuttu and Kattaikkuttu
Plates 12, 13, 14 and 15 The Sittrarangam experience
Appendix 1 A theatre according to the Natya Shastra in the IIT Madras
Appendix 2 Postscript to the IIT project description
Appendix 3 In search of an Indian theatre by Ludwig Pesch
Appendix 4 A Chamber Theatre for the Performing Arts
Appendix 5 Personal comments (Visitors’ Book 1987, 1988)
Acknowledgements
About the author
Bibliography

Sittrarangam is discussed in the chapter on Indian theatre architecture together with Kalakshetra and Kerala Kalamandalam in:
The Oxford Companion to Indian Theatre edited by Ananda Lal (New Delhi: Oxford University Press, 2004), pp. 18-19
http://www.worldcat.org/oclc/470139309

Search this and other titles related to this course in a library near you:
WorldCat.org >>
 

Project website with photographs
https://natyasala.mimemo.net/Natyasala/Small_theatre.html