Video | Raga Alapana on the Veena – The Music Academy Madras
How does a vainika internalize a raga1 before he or she presents it? The most concise definition of a raga may be that by Joep Bor: a tonal framework for composition and improvisation. [↩]
Institutions
An artiste creates and modifies his or her style for several reasons: “Let’s Talk Carnatic” by Mopachennai.org
Is tradition set in stone? Is not change even within a musician’s lifetime in the natural order of things? Does custom or convention in musical practice have to be held sacrosanct at the cost of organic modification or adaptation? An artiste creates and modifies, subtly or otherwise, his or her style for several reasons – … Read more
Vidyaamagna: webinar & online lessons
WEBINAR – THE AESTHETICS OF VARNAM IN KARNATIC MUSIC Sat, 30 July | 2 pm – 3.30 pm (BST) / 6.30pm (IST) | £10 STELLA SUBBIAH (Artist Development Lead, Bhavan London) In conversation with LUDWIG PESCH (Author of The Oxford Illustrated Companion to South Indian Classical Music) VIGNESH ISHWAR (Musician) Today, as in the remote … Read more
Mahatma Gandhi on “music of mind, of the senses and of the heart”
Very few people know that Gandhi was extremely fond of Music and arts. Most of us have been all along under the impression that he was against all arts such as music. In fact, he was a great lover of music, though his philosophy of music was different. In his own words ‘Music does not … Read more
Pallavi | A musical tribute to Dr Pia & Prof SA Srinivasan – Sannidi Academy of Music and Arts
This concise vocal composition (pallavi) by Vidvan TR Sundaresan pays tribute (namaste) two outstanding personalities in this field:Dr. Pia Srinivasan & Prof. SA Srinivasan whose affection (priya) and discerning patronage (rasika) of the language of music (sangīta sāhitya) could hardly be expressed better than through music itself