How prehistoric societies were transformed by the sound of music
Amidst lively debates within and beyond India these perspectives on our shared legacy make interesting reading:
for students and lovers of Carnatic music
Amidst lively debates within and beyond India these perspectives on our shared legacy make interesting reading:
By Arun VC More information | Preview | Press coverage Ekagrata Publications, Amsterdam 2006ISBN-10: 90-75785-04-6ISBN-13: 978-90-75785-04-3
a = middle octave (madhya sthayi)‘sa = higher octave (tara sthayi) The above svara pattern may be sung, hummed or practiced silently with any svara variants: those you are already familiar with (e.g. raga Mayamalavagaula, mela 15, raga Dhirasankarabharanam, mela 29, raga Mecakalyani, mela 65) or any other you want to practice. Enjoy practicing by … Read more
Read “How images of birds enliven Indian classical music” by Chitra Srikrishna (Scroll, 2 February 2025) along with images and YouTube contents:https://scroll.in/article/1077488/how-images-of-birds-enliven-indian-classical-music Bhakti poet Andal, Marathi mystic Dhyaneshwar and Tamil poet Subramania Bharati have all used birds as rich metaphorical devices. Both the Carnatic and Hindustani classical traditions are filled with the songs of birds. … Read more
Gouri Dange, The Hindu, 11 May 2019 | Read the full article here >> Every kind of music has a protocol for ‘beginners’ or ‘learners’. Students must practise paltay, alankaras, scales, études, tonalisation exercises, depending on the kind of music they pursue. […] However, here’s the rub: for many learners, these ‘early’ ragas get translated … Read more