Experience
An artiste creates and modifies his or her style for several reasons: “Let’s Talk Carnatic” by Mopachennai.org
Is tradition set in stone? Is not change even within a musician’s lifetime in the natural order of things? Does custom or convention in musical practice have to be held sacrosanct at the cost of organic modification or adaptation? An artiste creates and modifies, subtly or otherwise, his or her style for several reasons – … Read more
Vidyaamagna: webinar & online lessons
WEBINAR – THE AESTHETICS OF VARNAM IN KARNATIC MUSIC Sat, 30 July | 2 pm – 3.30 pm (BST) / 6.30pm (IST) | £10 STELLA SUBBIAH (Artist Development Lead, Bhavan London) In conversation with LUDWIG PESCH (Author of The Oxford Illustrated Companion to South Indian Classical Music) VIGNESH ISHWAR (Musician) Today, as in the remote … Read more
A lesson (thought experiment) inspired by Gandhi’s understanding of music
The challenge of going beyond a “narrow understanding of classical” music has long been debated among performers and musicologists; whether for the sake of creativity and self-expression or ideals like “serving society through music”, even harnessing the healing power of music where most needed. So what about reconsidering all of this and more in the … Read more
Appreciating the beauty and importance of the nagasvaram: “Carnatic music grew because of the nagaswaram” – S. Rajam
In this part, I quote from my recording with S. Rajam on T.N. Rajarathinam Pillai, done in early 2007 [brief excerpts] “Carnatic music grew because of the nagaswaram. Our art originated in the temples — especially, dance and nagaswaram. During the daily three-time worship at temples, the nagaswaram would be played all the times. Source: … Read more