for students and lovers of Carnatic music
by Ludwig Pesch For this musicologist and author, there are good reasons to believe that Carnatic music matters, perhaps more than ever and almost anywhere in the world. So why not perform and teach it in the service of better education for all, for ecological awareness or in order to promote mutual respect in spite … Read more
In her private LP recording titled “Dedication to her guru, Veena Dhanammal”, Savithri Rajan (1908-91) pays tribute Veena Dhanammal (1867-1937). As a child she was tutored by the legendary singer and composer known as “Tiger” Varadachariar (1876-1950, a disciple of Pattanam Subrahmanya Ayyar). Tips: (1) to automatically play both the sides of the LP-recording, click … Read more
S. Rajam (1919-2010) is credited with defining the visual identity of South India’s classical music. The present recording was made at his Mylapore home on 12 December 1997 when rehearsing for a lecture-demonstration; an annual event serving to highlight rare facets of South Indian (Carnatic) music. More about this recording & Sangita Kalasikhamani S. Rajam >> Total … Read more
A Southern music: The Karnatik story By T.M. Krishna, HarperCollins, Rs 699 If a successful and busy Karnatic singer takes time off in order to write reflections on South Indian or “Karnatic” music, the book release function is bound to be met with considerable interest. […] He pays tribute to the tambura (the tanpura) as “the life-giver, the soul … Read more
Miraj is famous for tanpuras made by its craftsmen, who honed their skills by first becoming trained musicians. How did it ever strike someone to stick a piece of wood on a dried pumpkin, build this bridge and that and twist some strings on it, to make this wonderfully resonant thing one calls the tanpura? … Read more
In this part, I quote from my recording with S. Rajam on T.N. Rajarathinam Pillai, done in early 2007 [brief excerpts] “Carnatic music grew because of the nagaswaram. Our art originated in the temples — especially, dance and nagaswaram. During the daily three-time worship at temples, the nagaswaram would be played all the times. Source: … Read more
Dr. Karaikudi Subramanian and Dr. Meenakshi Subramanian salute Dr. Pia Buonomo Srinivasan (May 15, 1931 – April 8, 2022)1 for her respect and selfless contribution to vina and its tradition. […] We dedicate the raga Sri2 she loved particularly in her memory. | Read the full tribute posted on the video channel of Brhaddhvani – … Read more
Source: Musical instrument (tanpura) with keys for four string, © Victoria and Albert Museum, London, 2021URL: https://collections.vam.ac.uk/item/O452622/stringed-instrument/Date Visited: 7 December 2021 The tambura or tanpura is a plucked drone instrument used to accompany instrumental or vocal performances. The four strings are played open rather than being depressed to alter the note. This example is considerably … Read more
In Kerala’s Peruvemba village, one family has been making the Mridangam, a Carnatic instrument, for four generations. They make two types of Mridangams – Ech and Thag. […] The cumbersome and labour-intensive process of making every piece, which continues seamlessly and without glitches, takes anywhere between 2-3 months to complete. Generally, the artisans dedicate a … Read more