TR Sundaresan

T. R. Sundaresan (Chennai) is a versatile percussionist with “A-grade” ranking at the national Indian broadcasting service (All India Radio). He performs several South Indian percussion instruments with equal virtuosity: Mridangam (the double-sided main drum of Carnatic music), Ghatam (claypot), Kanjira (small tambourine), Morsing (Jew’s harp) and Konnakkol (rhythmic solmisation) T. R. Sundaresan’s mridangam was soft, …

Research

Find results on these and other platforms

Melakarta raga application

12 positions are available in the South Indian 72 mela system. To learn more, read the following explanations. Source © Ludwig Pesch | Creative Commons License >> A scale – mēla in Carnatic or thāt in Hindustani music – isn’t a raga yet: it is no more than an imaginary arrangement of notes for the …

Voice culture and singing

Full screen viewing and download link: https://archive.org/details/voice-culture-and-singing-kalakshetra-quarterly-1983 Voice Culture and Singing by Friedrich Brueckner-Rueggeberg This course material was originally produced for – and used by – teachers and students at Kalakshetra College of Fine Arts, today known as Rukmini Devi College Of Fine Arts. To enjoy some of the vocal (Flow-) exercises offered for free on …

Flow | And what about rhythm? – Let’s go on a musical walk!

Here’s a delightful “flow-exercise” of a different kind: nadai in rupaka tala South Indian music has a vast repertory of compositions known as nadai (Tamil “gait, walk”) most students of south Indian rhythm (laya) should be familiar with; this one transcribed at the home of vidvan T.K. Ramakrishnan busy teaching a mridanga lesson with his …