for students and lovers of Carnatic music
Listen to these exercises by Kalaimamani Sri TR Sundaresan before reading on for more details. Think of each exercise as “karaoke”: simply pronounce all the syllables yourself as you listen, and fill in the pauses the teacher has left for you within each lesson. Repeat often to enter and enjoy the very “flow” which binds … Read more
Raga, Tala and Pedagogy: On the First Steps in Carnatic Music by Jeremy Woodruff The system by which any music is taught is the key to what is preserved, and how, in a musical tradition. I chose to research the basics of instruction in South India,both as an entry point for some practical knowledge on … Read more
A tala trainer for self-study by Kalaimamani TR Sundaresan (voice & lessons) & Ludwig Pesch (talam cymbals & concept) Tips for self-study For some of the basic lessons your tutor provides pauses to be filled by participants while the accompaniment of cymbals and claps continues. This is followed by yet another repetition by the tutor. … Read more
Mridanga Vidvan T.R. Sundaresan guides you along as you read and listen. Simply pronounce the syllables of each lesson – straight from the page >> Instrumental Music, pp. 105 (percussion) Tala and Rhythm, pp. 204
Swipe to view all the 16 slides in order to understand how 12 svara positions are distributed across the 72 melas. To learn more, read the following explanations and view another slide series >> Source © Ludwig Pesch | Creative Commons License >> A scale – mēla in Carnatic or thāt in Hindustani music – … Read more
Ludwig Pesch (1955) is a German-born musicologist, educator and musician. Interested in “other” ways of teaching and sharing music, he completed his Diploma Course in Carnatic Music (First Class) at Kalakshetra after serving as church organist and studying music and musicology in Freiburg (Germany). He specialized in playing the bamboo flute under the guidance of Ramachandra Shastry (1906-92) – musical heir to … Read more
Whatever one’s personal background and aspirations may be, Carnatic music remains a quest for undiluted aesthetic experience (rasa).1 Three basic concepts are essential for daily practice as well as proper appreciation: rāga (tuneful rendition with minute intervals and rich in embellishments), tāla (rhythmic order marked by mathematical precision), and bhāva (expression of thoughts and emotions). To … Read more
A challenge to enjoy on a daily basis (30 min.): Select a popular melakarta raga to get into the “flow” >>(e.g. the 65th Mecakalyani) before exploring others (01 to 72) in 36 daily sessions, over and over again – Happy Flowing! Spread out over a longer period of time, start your practice sessions with a mela … Read more
Full screen viewing and download link: https://archive.org/details/voice-culture-and-singing-kalakshetra-quarterly-1983 Voice Culture and Singing by Friedrich Brueckner-Rueggeberg This course material was originally produced for – and used by – teachers and students at Kalakshetra College of Fine Arts, today known as Rukmini Devi College Of Fine Arts. To enjoy some of the vocal (Flow-) exercises offered for free on … Read more