Lecture recital
S Rajam and disciples sing Harikesanallur Bhagavatar
S. Rajam (1919-2010) is credited with defining the visual identity of South India’s classical music. The present recording was made at his Mylapore home on 12 December 1997 when rehearsing for a lecture-demonstration; an annual event serving to highlight rare facets of South Indian (Carnatic) music. More about this recording & Sangita Kalasikhamani S. Rajam >> Total … Read more
Video | Raga Alapana on the Veena – The Music Academy Madras
How does a vainika internalize a raga1 before he or she presents it? The most concise definition of a raga may be that by Joep Bor: a tonal framework for composition and improvisation. [↩]
An artiste creates and modifies his or her style for several reasons: “Let’s Talk Carnatic” by Mopachennai.org
Is tradition set in stone? Is not change even within a musician’s lifetime in the natural order of things? Does custom or convention in musical practice have to be held sacrosanct at the cost of organic modification or adaptation? An artiste creates and modifies, subtly or otherwise, his or her style for several reasons – … Read more
Audio | What Makes Indian Music Unique – Kennedy Center Education
To listen to the educational resources shown below, click here >> Source: Music of India, An exploration of Indian musicURL: https://www.kennedy-center.org/education/resources-for-educators/classroom-resources/media-and-interactives/media/international/music-of-india/Date visited: 2 August 2021 Related post“Sampradaya is like a broad river and the bani is a tributary”: Umayalpuram Sivaraman on his 75 years of performance >>