Time theory in Vivekananda’s Concepts of Indian Classical Music

The notion of a particular time prescribed for ragas (gāna kāla) plays a greater role in Hindustani music than for exponents of its southern counterpart where sārvakālika ragas prevail: ragas suited to any day or night time. A few ragas nevertheless continue to be associated with the moods indicated by song lyrics (notably in dance … Read more

“The decades immediately after Independence were the best for the Sabhas” – Historian Sriram V.

The Sabha itself was a product of colonial times. When the patronage of royalty and aristocracy was vital for the survival of the arts, a new city like Madras posed challenges – the ruling elite was English and had no intention to support artistes. The aristocracy, namely the dubashes or translators, provided the necessary support … Read more

Muthulakshmi Reddy – A Trailblazer in Surgery and Women’s Rights: Biography of a “reformer from the inside” by VR Devika

Muthulakshmi Reddy – A Trailblazer in Surgery and Women’s Rights is the story of a pioneer path-creator for women. She was the first girl student in Maharaja’s School for Boys in Pudukkottai, the first Indian woman surgeon from Madras Medical College, the first Indian member of the Women’s Indian Association, the first woman member of … Read more

Video | “There is more than one form of being a devadasi”: The complex world of India’s devadasis – Interview with filmmaker (Lady) Beeban Kidron

Interview with filmmaker Beeban Kidron, plus exclusive clips from her new film. Sex, Death and the Gods explores the complex world of India’s devadasi, girls devoted to a goddess and then sold for sex at puberty | Lindsay Poulton and Joanna Moorhead, theguardian.com, 21 January 2011 >> Documentary maker Beeban Kidron (4:49): “They [the devadasis themselves] … Read more

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