The mridangam makers of Mylapore

Jesudas Anthony makes holes in circular leather cutouts, which he fastens to one end of the mridangam using thin strips of reed. Right: A wooden stick and stone are used to regulate the instrument’s pitch 
https://ruralindiaonline.org/articles/the-mridangam-makers-of-mylapore

Jesudas and his son Edwin are skilled craftsmen, known in the Carnatic music universe of Chennai and elsewhere for the mridangams they give life to, though they still face occasional communal biases | Read the full article with more images in full size here >>

A musical tribute to Prof. S. A. Srinivasan by Karaikudi Voyage – Sreevidhya Chandramouli (vocal & vina)

Vocal with vina accompaniment: Sreevidhya & Chandramouli (Karaikudi Bani)

  • To listen and view photos on youtube, click here >>
  • Find the lyrics* sung in the tribute by Dhvani in the search window seen below or click here >>
  • Visit Dhvani’s homepage >>

Dhvani was formed to Preserve, Explore & Disseminate Indian art and cultural heritage. As a grassroots organization devoted to expanding knowledge in our community, Dhvani fulfills the need to inculcate an integrated understanding of art in Indian culture as well as other cultures.

The compositions heard in this musical tribute are:

  1. Paripalaya – Ritigaula – Adi tala – Tyagaraja
  2. Ramapahi meghasyama – Kapi – Adi tala – Tyagaraja
  3. Amba nilayatakshi – Nilambari – Adi tala – Muttusvami Dikshitar

Find song lyrics by typing any of the above in the search window:

S.A. Srinivasan (2011)
Prof. Dr. S.A. Srinivasan
18.09.1932 – 02.05.2019
Deutsch: Tributes by colleagues (in German) >>

Find publications by Prof. A.S. Srinivasan (search for Srinivasa Ayya Srinivasan) on worlcat.org:

Select titles

Search for an item in libraries near you:
WorldCat.org >>
 

Hinduismus und ökologische Ethik: Einige Bemerkungen
http://www.worldcat.org/oclc/900603864 | Details in German (Vienna University) >>

The goddess Māriyammaṉ in music and in sociology of religion
by Pia Srinivasan Buonomo; Srinivasa Ayya Srinivasan
http://www.worldcat.org/oclc/247408025
Open access version (text and audio files discussed):
https://archive.org/details/mariyamman-in-music

On the composition of the Nāṭyaśāstra
http://www.worldcat.org/oclc/499646888

Studies in the Rāma story : on the irretrievable loss of Vālmīki’s original and the operation of the received text as seen in some versions of the Vālin-Sugrīva episode
http://www.worldcat.org/oclc/560465987

Nonviolence and holistically environmental ethics : gropings while reading Samayadivākaravāman̲amun̲i on Nīlakēci
http://www.worldcat.org/oclc/929910155 / http://www.worldcat.org/oclc/899297850

There really is no such thing as a ‘learner’ raga

Image © The Hindu

Gouri Dange, The Hindu, 11 May 2019 | Read the full article here >>

Every kind of music has a protocol for ‘beginners’ or ‘learners’. Students must practise paltay, alankaras, scales, études, tonalisation exercises, depending on the kind of music they pursue.  […]

However, here’s the rub: for many learners, these ‘early’ ragas get translated in the mind as something very basic, or ‘shikau’, with a novice ring to them. They are seen, most misguidedly, as mundane, without the strut and stature of the ‘larger and later’ ragas that are taught after you are deemed fit to learn them.  […]

It is surely a disservice to a raga and to those who lift it to its best potential, and even more so a disservice to the young student, to allow the mental stamping of some ragas as ‘learner material’.  […]

The novelist, counsellor and music lover takes readers on a ramble through the Alladin’s cave of Indian music.

https://www.thehindu.com/entertainment/music/column-can-there-really-be-such-a-thing-as-a-learner-raga/article27093490.ece

Purandara Dasa (1484-1564), a prolific poet-composer and mystic of Vijayanagar, introduced a music course that is followed to the present day. Since the 17th century, hundreds of ragas (melody types) have been distributed among 72 melakarta ragas (scales).

Learn more here:

Learn to distinguish and remember the 72 melakarta ragas – free course

https://www.carnaticstudent.org/service/free-melakarta-raga-course/

Click the above link to participate – for free!

Learn more about the above teachers – both regarded as legends in their own lifetime – on Wikipedia and here:
Vidya Shankar (1920-2010)
https://www.thehindu.com/features/friday-review/music/Art-and-science-converged-here/article16181169.ece

S. Rajam (1919-2010)
Remembering S. Rajam by S. Janaki (Executive Editor, Sruti magazine)
http://www.varalaaru.com/design/article.aspx?ArticleID=971

Related post
https://www.carnaticstudent.org/melakarta-raga-application/

Was die südindische Musik immer interessanter macht

Wie kaum einem anderen deutsch-stämmigen Musiker ist es Ludwig Pesch gelungen, tief in das Wesen der südindischen „klassischen“ Musik einzutauchen. Der Autor lebt heute in Amsterdam und ist als freischaffender Musiker, Sachbuchautor und Dozent tätig. Seine Erfahrung befähigt ihn, die karnatische Musiktradition auch einem Laienpublikum verständlich nahe zu bringen.

Foto: Rainer Hörig (Kalakshetra 1978)

Die Wintermonate sind für Reisen nach Indien am besten geeignet. Dieses Heft schildert waghalsige Abenteuer und weniger bekannte Reiseziele, die neugierig machen. Autoren teilen Erfahrungen, die sie als Leiter von Gruppenreisen oder in einem Arbeitsaufenthalt machten. Junge Inderinnen und Inder, die in Deutschland aufwuchsen und durch Indien reisen, erleben zwiespältige Heimatgefühle. Indien beschert immer wieder Überraschungen und Wunder.

Online Ausgabe von Meine Welt & Archiv

Seit 1984 bildet die Zeitschrift MEINE WELT ein Forum des Austausches zwischen Migranten aus Indien und ihren deutschen Freunden. Sie erscheint dreimal im Jahr in einer Auflage von knapp 1000 Exemplaren – das größte Printmedium mit Indien-Bezug in der deutschsprachigen Presselandschaft!
Ein herausragendes Merkmal von MEINE WELT ist ihre enge Anbindung an die Leserschaft, die Hinweise, Themenvorschläge und komplette Artikel liefert. MEINE WELT ist kostenlos und werbefrei! Herausgeber ist der Diözesan-Caritasverband im Erzbistum Köln. https://caritas.erzbistum-koeln.de/meine-welt/

Veena Dhanammal’s soulful music

Read the full report in The Hindu (13 December 2018) >>

Vainika K. G. Vijayakrishnan’s determination to get the younger generation interested in Veena Dhanammal’s soulful music resulted in a documentary on the legend. The documentary, conceptualised by Vijayakrishnan and directed by Avinash Prakash, was recently launched at the Music Academy. […]

Vijayakrishnan’s father had all seventeen of Dhanammal’s 78 rpm records. He recorded them in his Grundig spool recorder. Except for the Kapi javali ‘Sarasamulade’ by Poochi Srinivasa Iyengar, Vijayakrishnan has digitised all the others. He presented the entire set of recordings to the Music Academy. […]

N. Murali, President of the Music Academy, said that Dhanammal was a mystical genius, who played for herself, and not for an audience. HMV, which cut all Dhanammal’s discs had difficulty marketing them, because only a few had the knowledge needed to understand the nuances of her music. […]  

K.G. Vijayakrishnan has performed in leading sabhas in Chennai and in Paris, Amsterdam, Frankfurt and the U.S. He is the author of The Grammar of Carnatic Music published by De Gruyter Mouton, Germany. 

1. Varnam 2. Triloka Mata 3. Sri Narada 4. Bhajare 5. Marubari [JavaLi]

Grammar of Carnatic Music by on Scribd

Search a reservoir of Indian theses: Shodhganga, “a platform for research students to deposit their Ph.D. theses – Open access

e.g. search for “Shodhganga Carnatic music”, “Shodhganga veena”, “Shodhganga bamboo flute”, “Shodhganga Indian music education”, “Shodhganga music bani”, “Shodhganga percussion instrument” in the search field below:

Track missing details for search results

  • To trace the source document of any separate chapter listed among the search results hosted on Shodhganga’s server, look for its “handle” number: e.g. “138940” from the URL (in search for more publishing details): http://shodhganga.inflibnet.ac.in/handle/10603/138940
  • Copy-paste the second part of this “handle” number (e.g. 138940) into the How to Cite window in order to trace the document’s publishing data on the Shodhganga website http://shodhganga.inflibnet.ac.in.
  • e.g.  “handle” number 138940 refers to “The influence of Nagaswaram on Karnataka classical vocal music”, Researcher: Radhika Balakrishnan, Guide: Sreelatha, R. N., University of Mysore, Completed Date: 2016, University of College Fine Arts
  • Browse and download any chapter from the Shodhganga server.
  • For advanced search options directly consult the Shodhganga website: http://shodhganga.inflibnet.ac.in:8080/jspui/subject-search

Note: search results appear without much delay. More patience is needed for consulting the Shodhganga website (waiting time varies depending on the hour of the day).

Website Recommendations – Music Research Library

Source: Music Research Newsletter – 44 5 November 2018
Contact Us: Arati Rao, Vidya Jayaraman and N. Ramanathan
email: mrlibrary.adm@gmail.com

  • SHAMSA Database
    Link: goo.gl/o8rwBx
    Category: Sources of Research
    Brief: The following is a database uploaded by the scholar Katherine Butler Schofield to the website www.academia.edu, which gives many sources useful for research in Music and Dance in South Asia.
  • Sahapedia
    Link: https://www.sahapedia.org/
    Category: Sources of Research
    Brief: Sahapedia is an open online resource on the arts, cultures and heritage of India. At Sahapedia, one can read articles, watch videos, listen to interviews, and browse image galleries.
  • Indian Classical Music Mapping of Kolkata project
    Link: http://kolkatamusicmapping.com/
    Category: Sources of Research