for students and lovers of Carnatic music
We are aware that the ultimate aim of every composer and musician is to achieve the coalescence, the essential factors of classical music namely bhava, raga and tala. We know bhava literally means, expression, the expression of existence. In a composition, bhava encompasses the aspects rasa, raga1 and laya and for a musical composition to … Read more
Raga, Tala and Pedagogy: On the First Steps in Carnatic Music by Jeremy Woodruff The system by which any music is taught is the key to what is preserved, and how, in a musical tradition. I chose to research the basics of instruction in South India,both as an entry point for some practical knowledge on … Read more
Amidst lively debates within and beyond India these perspectives on our shared legacy make interesting reading:
12 positions are available in the South Indian 72 mela system. To learn more, read the following explanations. Source © Ludwig Pesch | Creative Commons License >> A scale – mēla in Carnatic or thāt in Hindustani music – isn’t a raga yet: it is no more than an imaginary arrangement of notes for the … Read more