![](https://www.carnaticstudent.org/wp-content/uploads/Mariyamman-Cover-ArchiveOrg-2019-Open-Access-2.jpg)
The Goddess Mariyamman in Music and in Sociology of Religion by Pia Srinivasan Buonomo & S. A. Srinivasan (German) >>
Listen to the four recordings here; and download the audio and text files on
https://archive.org/details/mariyamman-in-music >>
![](https://www.carnaticstudent.org/wp-content/uploads/Mariyamman-Cover-ArchiveOrg-2019-Open-Access-1.jpg)
The Goddess Mariyamman in Music and in Sociology of Religion by Pia Srinivasan Buonomo & S. A. Srinivasan (German) >>
Listen to the four recordings here; and download the audio and text files on
https://archive.org/details/mariyamman-in-music >>
Click the above link to participate – for free!
Learn more about the above teachers – both regarded as legends in their own lifetime – on Wikipedia and here:
Vidya Shankar (1920-2010)
https://www.thehindu.com/features/friday-review/music/Art-and-science-converged-here/article16181169.ece
S. Rajam (1919-2010)
Remembering S. Rajam by S. Janaki (Executive Editor, Sruti magazine)
http://www.varalaaru.com/design/article.aspx?ArticleID=971
Related post
https://www.carnaticstudent.org/melakarta-raga-application/
Track missing details for search results
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Merger of websites: The two sites www.musicresearch.in and www.musicresearchlibrary.net have now merged! We have closed www.musicresearch.in and moved its contents to www.musicresearchlibrary.net. In the ‘musicresearchlibrary.net’ site, a menu ‘musicresearch.in‘ has been created which will house some of the earlier contributions of senior scholars. Please like and follow our Facebook page https://www.facebook.com/Musicresearchlibraryadmin/ for latest news and updates.
More about the above person(s) and topics
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“Unity in Diversity, Antiquity in Contemporary Practice? South Indian Music Reconsidered” by Ludwig Pesch (Amsterdam) in Music – Politics – Identity published by Goettingen University
Music always mirrors and acts as a focal point for social paradigms and discourses surrounding political and national identity. The essays in this volume combine contributions on historical and present-day questions about the relationship between politics and musical creativity. The first part concentrates on musical identity and political reality, discussing ideological values in musical discourses. The second part deals with (musical) constructions, drwawing on diverse national connections within our own and foreign identity. – Matthew Gardner & Hanna Walsdorf (eds.)
Read or download a free copy: South-Indian-Music-Reconsidered-Ludwig-Pesch-Goettingen-2016-print