Video | Interview with MD Ramanathan

Clip from interview with Dr. Amy Catlin and Dr. Frederick Liberman, Dec 1977 MDR talks about his background and he was initiated into Carnatic Music

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Carnatic music as experienced today: its social and political context in a nutshell

As the nineteenth century closes and in January 1901 a distant Empress dies, the onlooker recognizes an advance across South India in education, a growing print culture, and an emerging middle class of small landholders, doctors, lawyers, college teachers, writers, government employees and merchants.

In the realm of ideas, the onlooker discerns a few currents. One is of nationalism. Another is for reform in traditional customs and exclusions. A third is of linguistic pride. And a fourth pursues equality among castes.

Rajmohan Gandhi in Modern South India: A History from the 17th Century to Our Times , p. 236

This is a Dravidian story, and also more than that. t is a story involving four centuries, the seventeenth, eighteenth, nineteenth and twentieth, yet other periods intrude upon it… [cover notes]

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The Oxford Illustrated Companion to South Indian Classical Music

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A brief introduction to Carnatic music (with music examples and interactive map)

Bhava and Rasa explained by V. Premalatha

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Glossary (PDF)

Introduction (values in the light of modernity)

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Video | Keeping tala with hand gestures: Adi (8 beats) & Misra chapu (7 beats)

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Why Carnatic Music Matters More Than Ever

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