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Carnatic music as experienced today: its social and political context in a nutshell
As the nineteenth century closes and in January 1901 a distant Empress dies, the onlooker recognizes an advance across South India in education, a growing print culture, and an emerging middle class of small landholders, doctors, lawyers, college teachers, writers, government employees and merchants.
In the realm of ideas, the onlooker discerns a few currents. One is of nationalism. Another is for reform in traditional customs and exclusions. A third is of linguistic pride. And a fourth pursues equality among castes.
Rajmohan Gandhi in Modern South India: A History from the 17th Century to Our Times , p. 236
This is a Dravidian story, and also more than that. t is a story involving four centuries, the seventeenth, eighteenth, nineteenth and twentieth, yet other periods intrude upon it… [cover notes]
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The Oxford Illustrated Companion to South Indian Classical Music
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Bhava and Rasa explained by V. Premalatha
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Video | Keeping tala with hand gestures: Adi (8 beats) & Misra chapu (7 beats)
Why Carnatic Music Matters More Than Ever
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