Flow | Janya practice 5 notes – raga Hamsadhvani

An exercise for raga Hamsadhvani (YouTube) >>
Find song lyrics (composers) & translations for these and other ragas >>
Practice with basic “Sa” = G#
Download this audio file (2 MB, 2 min. mono)
Credit: eSWAR / FS-3C Sruthi petti + Tanjore Tambura
The above exercise1 is inspired by the rendition by eminent flautist
J.A. Jayant (YouTube Channel):
Gaayathi Vanamali by Sadasiva Brahmendra in Adi tala

Listen to a Varnam sung by Bhushany Kalyanaraman >>

Become fluent with the help of svara syllables (solmisation): practice a series of exercises, each based on a set of melodic figures that lend themselves to frequent repetition (“getting into flow”) | Practice goal, choosing your vocal range & more tips >>

South Indian conventions (raga names & svara notation): karnATik.com | Guide >>

raagam: hamsadhvani
Aa: S R2 G3 P N3 S | Av: S N3 P G3 R2 S

Having but 5 notes (instead of 7), this type of raga pattern is traditionally classified as being “derived” (janya) from a melakarta raga. More specifically, text books refer to any raga limited to 5 notes as audava raga.

The above svara pattern may be sung, hummed or practiced silently with several svara variants you are already familiar with (e.g. raga Dhirasankarabharanam, mela 29, resulting in Carnatic raga Hamsadhvani which has long been popular among Hindustani musicians as “Hansadhvani”). For details on popular Hindustani ragas, refer to The Raga Guide by Joep Bor.

Once internalized you may want to contemplate and remember the same exercise with the help of the “8 x 8 beads” pattern shared here >>

Practice another raga with 5 notes here >>

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  1. The present “Flow” series of exercises is meant to supplement the comprehensive standard syllabus (abhyasa ganam) attributed to 16th c. composer Purandara Dasa >>
    Concept & images © Ludwig Pesch | Feel free to share in accordance with the Creative Commons Attribution-NonCommercial-ShareAlike license >>[]